In Part 1, I talked about how I organized my time to ensure I had both the gap in my schedule and the mental wherewithal to write every day.
Here in Part 2, I’ll talk about how I organized my writing space.
This is where I write:
I got lucky in our current house: this desk fits perfectly into this alcove in our spare bedroom. On the walls of the alcove are Chalkboard Left and Chalkboard Right, which I mentioned in Part 1.
You can see some of the paperwork hanging off the bottom of Chalkboard Left in this photo, next to the lamp.
Chalkboard Left contains my weekly schedule; Chalkboard Right contains the basics of whichever novel I’m working on at the moment. Right now, that’s Nahara, the sequel to the novel I just released.
On the left is the outline for the novel in progress. On the right are some notes I need nearly every time I write, and above those are the list of works I want to write or that come after the novel in progress. (The list on the top right is a recent addition; I got tired of keeping that list in my head.)
I use Blake Shelton’s “beats” system to outline each novel. It was designed for outlining screenplays, but since I tend to write off the movie screen in my head, the beats system was remarkably easy to adapt.
The outline helps me remember the central theme or idea of whatever point I’m at in the story, as well as how I got that far and what needs to be set up in order to move to the next scene or chapter.
In addition to this outline, I typically write an outline or synopsis of each chapter as I’m working on them. Since I only need those for as long as I’m working on that part of the draft, they live in my notebook (which I’ll cover in Part 3).
These are photocopies out of my notebook, which I pinned to the board after I got frustrated flipping back and forth between pages and (later) with remembering where I had put this particular notebook. The top one is a bit of core mythology; the bottom is a general outline of all three novels in the trilogy. Behind it are a few more pages I refer to frequently, like main character bios/histories and a timeline.
The list above is works in progress. On the left are short story ideas; on the right, book-length ideas.
Because the desk sits so closely between these two walls, my peripheral vision is pretty well filled up by the chalkboards. But then there’s the view. Take another look at my desk:
That view is many writers’ dream, but for me, it’s distracting as heck.
One of the main reasons I write from 9 to 11 p.m., aside from the fact that I can focus then, is because it’s dark out. About the only thing I can see is the neighbor’s yard light, which doesn’t light up much – and the neighbor is usually in bed well before dark anyway.
I keep a few fidget toys in the mug along with my pens. The Pygmy Puff to the left of the mug is also a cozy fidget, and the disapproving stare of Mr. McShade on the right keeps me motivated.
Apart from the writing space and the lamp, the desk is allowed to hold only certain items:
- My wallet and keys. If they’re not here, I don’t know where they are.
- Things that urgently need my attention. When I took this photo, those included returning a purchase (the small box), sorting out my business receipts (the paper pile), and giving my cat her nightly meds (the pill bottles and the other box).
Other stuff does end up on my desk from time to time, usually on its way to the trash, my backpack, or one of the drawers. The drawers are the nightmare clutter hiding beneath my otherwise sorted desktop.
I do nearly all my novel drafting here and 100% of my novel revision here. I also work from home as a freelance writer, but I do that writing downstairs, in our office/library. Other essential desk stuff, like my noise-canceling headphones, live in my backpack, since I need those out in public more often than I need them at home.
Up next: What’s in that notebook – the heart of the whole operation.